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Working Creatively with the Three Exposure Controls: ISO

Shot with ISO 3200 I will start this part a little different from the two previous parts, with a disclaimer and a little history. The disclaimer is in regards to the technical aspect of ISO, which I won't delve into, since this is a basic introduction to ISO, and how to use it creatively as part of your photography, not an attempt on a technical explanation of how ISO works. A little history. ISO is referring to the "film speed standard", and is a combination of two older standards known as ASA and DIN. This was a standard for the measurement of the sensitivity of film used in the analog era, or the "film speed", making it possible for photographers to know how sensitive a roll of film would be, depending on its ISO value, and thus how they should adjust the aperture and the shutter speed, in order to get the desired exposure. The higher the ISO value, the more sensitive the film would be - or the "faster" it would be (meaning that you could speed up t...

Street Portraits: Avraham Shein

A portrait of Avraham Shein from Tel Aviv

Street portraits. That's not something I often do. As a matter of fact, this is is the first time I have done it. It probably won't be the last time, but I feel it takes some more effort than the normal "catching moments on the street", for example including a story, or at least a name. I feel that if I am doing a portrait, there needs to be a story added to it, both because a portrait - however nice or interesting it might be, there is more to it than just the portrait, and it wouldn't be fair to the subject to present his or her portrait, without also telling something about him or her.

In this case I am presenting you for Avraham Shein, a charismatic character I had the pleasure of photographing a couple of days ago.

I met Avraham by coincidence. I was about to take a shot of something else, when he stepped into the frame. When I took the camera down, he asked if I was interested in buying a drawing he made. He's walking the streets, trying to earn some money by selling his art to people. I had a sudden impulse. No, the art wasn't what was of interest, at least not the art he had in his hands. I'd rather pay him the money to take a photo of him. As you can see, he has a very characteristic face. And I have to add, it was not what he was selling, which was of bad quality, it was simply that there was something about him, which caught my whole attention. Something that reminded me of my childhood Copenhagen, before Copenhagen became a modern city. When it still was very much a place for the worker and the odd existence. 

We talked a little, Avraham and I. I promised to send him a copy of the portrait for him (I did).  He was very interesting. The guy is 80 years old, walk approximately 20 kilometers pr day, and is in an amazing shape. There has been a documentary made about him, and artists have used him for their paintings. I understand why. 

I liked the meeting. Getting in contact with the subject, getting to know the person, with Avraham. He had a story, and he was a story. To meet him intrigued me, both to get in contact with a stranger, but also to become more intimate with the subject in front of the camera. I have often thought about doing some portrait photography, so maybe this could become my niche - even though I know a lot of other street photographers also are doing it. Who knows, this experience at least made me want to have more.  


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